A good song is like an ecosystem. It supports growth.
Although obviously ecosystems are vastly complex, and have various symbiotic systems in place to keep equilibrium, they do what great songs do. Every element comes together to create the right environment for every other element, and the cycle of life perpetuates.
Do excuse me if I am overtly verbose this evening, I’ve had a few drinks.
There are rhythmic choices you can make which influence the meter of the lyrics, the meter then affects which kind of melody you can use, which affects the chord choices, thus pretty much affecting the whole songwriting process. And that’s without going into how changing the melody has an effect on the song’s meaning, and emphasis on certain syllables / words rhythmically can totally change the ‘grammar’ of how the song comes across, without changing a word of the lyrics.
Some say I think about this too much. And they would of course be right. But also, other people think about sport this much. Or taxidermy. So.
Anyway, about the thing.
What makes a mediocre song.
If there is too little in the way of melody, or if the melody is too repetitive, then I get bored easily. If the rhythm is lacking in drive, same thing, however this doesn’t always have to be the case. (With any so called ‘rule’ in songwriting, the opposite can often be just as true. It’s a personal preference thing really I guess, as it is with all art forms.) If the chords are too obvious, I tend to think I’m listening to Oasis and I start to want to stab pens into my eardrums, however, a two chord song is one of the hardest things you can pull off as a songwriter, and I thoroughly recommend that you try it! If the lyrics don’t quite catch my imagination, because they are not as visual or sensory as they could be, or they just repeat or bumble around a topic without any real insight or self discovery, I get bored. Basically, I get bored of songs really easily. What makes a GOOD song, then, is something quite rare.
~ On a side note, I just called my cat a “little Honklehooter.” Just thought that was a particularly good term for that reprehensible animal as he bit my sleeve. If you should need it, I give you my express permission to coin the term. ~
What makes a good song.
If the song supports growth in the listener, it has done what it is supposed to do. If it has connected the listener to a previously unacknowledged aspect of their emotional reality, and increased their insight just a little, however consciously acknowledged that may be, the song is working. If the song makes someone happy, it is doing a good job.
All of the elements of the song supporting each other, but still leaving enough space for it to breathe.
Unless of course you DO live more than once, but that’s not a good enough reason to cop out, so just get on with it already!
Balance is key.
Art reflects life innit.
More alcohol for me. My cat has shunned me. I think I got sweetcorn on him.
The Test Of Time.
If you can get to the stage where you can write from a place that is so true to you that you can engage emotionally with the song EVERY time, for years, then you have won at life. If you find your songs going in and out of relevance, that’s fine, as long as you can convincingly deliver them with consistent emotional presentation. If you find other people’s songs that resonate with you in a consistent way, then THEY have won at life and you need to try and figure out just how the shiny great fuck they did that! I guess my advice for figuring out how to write coherent and emotionally congruent songs would be: Get to know yourself better. Simply that. If you can meditate, do that as often as you think of it. If you can’t, don’t worry. You’re already doing what you need to do. Just write as much as you can. Be where you are in life and try to hold yourself in equal regard to your loved ones.
Remember, you are love.
My cat has fallen asleep on my feet.